#32

Most Searched Artwork #32 Worldwide

The Third of May 1808

Francisco de Goya · 1814 · Museo del Prado

Quick Answer

The Third of May 1808 is an oil painting by Spanish artist Francisco de Goya, painted in 1814 to commemorate the Spanish resistance to Napoleon's occupation. It depicts the execution of Madrid civilians by French troops on the night of 3–4 May 1808, the day after the Dos de Mayo uprising. A central figure in a white shirt, arms thrown wide open, faces a line of anonymous soldiers. The painting is in the Museo del Prado in Madrid and is considered the first great anti-war painting of Western art.

The Third of May 1808 by Goya — a man in a white shirt faces a French firing squad, arms outstretched

Public domain — Francisco de Goya, 1814. Museo del Prado, Madrid / Wikimedia Commons.

At a Glance

Artist
Francisco de Goya (1746–1828)
Created
1814
Medium
Oil on canvas
Dimensions
268 × 347 cm (105.5 × 136.6 in)
Location
Room 064, Museo del Prado

Find it at

Museo del Prado

Madrid, Spain

"The painting that invented the modern idea of the atrocity — and every war photograph since owes it a debt"

History & Story

Goya petitioned the restored Spanish government in 1814 to fund two large paintings commemorating the Spanish resistance to Napoleon's invasion of 1808. The two Dos de Mayo paintings — the street fighting of 2 May 1808 and the executions of 3 May 1808 — were completed in two months. The Third of May 1808 depicts the execution of Spanish patriots on the slopes of Príncipe Pío hill by Napoleonic troops.

Unlike previous depictions of war, which showed heroic military figures in battle, Goya depicted the anonymous victims — ordinary people executed without trial. The central figure in white is not a soldier or a nobleman but an unidentified civilian, his arms spread in a posture that recalls both a gesture of supplication and the crucifixion of Christ. The soldiers have their backs to the viewer and are rendered as a faceless, mechanical killing machine.

Why It Matters

The Third of May 1808 invented the visual language that every subsequent war photograph and anti-war image has used: the isolated, vulnerable human body facing overwhelming, dehumanised force. Édouard Manet explicitly referenced it in his Execution of Maximilian (1867–1869); Picasso referenced it in Guernica (1937). It is the founding image of modern anti-war art.

Key Facts & Figures

Painted six years after the event: Goya painted it in 1814 — six years after the executions — as a deliberate political memorial when Napoleon was finally defeated
The lantern: The square lantern at the centre is the only light source — it illuminates the victim and creates a spotlight on the moment of death
Anonymous soldiers: The firing squad's faces are never shown — they are mechanised executioners rather than individuals with moral responsibility
Execution style unprecedented: No Western painting before 1814 depicted state violence against civilians as its central subject
Companion painting: Paired with The Second of May 1808 (also in the Prado), which shows the initial street uprising against French cavalry

Common Questions About The Third of May 1808

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