Most Searched Artwork #32 Worldwide
The Third of May 1808
Quick Answer
The Third of May 1808 is an oil painting by Spanish artist Francisco de Goya, painted in 1814 to commemorate the Spanish resistance to Napoleon's occupation. It depicts the execution of Madrid civilians by French troops on the night of 3–4 May 1808, the day after the Dos de Mayo uprising. A central figure in a white shirt, arms thrown wide open, faces a line of anonymous soldiers. The painting is in the Museo del Prado in Madrid and is considered the first great anti-war painting of Western art.
Public domain — Francisco de Goya, 1814. Museo del Prado, Madrid / Wikimedia Commons.
At a Glance
- Artist
- Francisco de Goya (1746–1828)
- Created
- 1814
- Medium
- Oil on canvas
- Dimensions
- 268 × 347 cm (105.5 × 136.6 in)
- Location
- Room 064, Museo del Prado
Find it at
Museo del Prado
Madrid, Spain
"The painting that invented the modern idea of the atrocity — and every war photograph since owes it a debt"
History & Story
Goya petitioned the restored Spanish government in 1814 to fund two large paintings commemorating the Spanish resistance to Napoleon's invasion of 1808. The two Dos de Mayo paintings — the street fighting of 2 May 1808 and the executions of 3 May 1808 — were completed in two months. The Third of May 1808 depicts the execution of Spanish patriots on the slopes of Príncipe Pío hill by Napoleonic troops.
Unlike previous depictions of war, which showed heroic military figures in battle, Goya depicted the anonymous victims — ordinary people executed without trial. The central figure in white is not a soldier or a nobleman but an unidentified civilian, his arms spread in a posture that recalls both a gesture of supplication and the crucifixion of Christ. The soldiers have their backs to the viewer and are rendered as a faceless, mechanical killing machine.
Why It Matters
The Third of May 1808 invented the visual language that every subsequent war photograph and anti-war image has used: the isolated, vulnerable human body facing overwhelming, dehumanised force. Édouard Manet explicitly referenced it in his Execution of Maximilian (1867–1869); Picasso referenced it in Guernica (1937). It is the founding image of modern anti-war art.
Key Facts & Figures
Common Questions About The Third of May 1808
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